• ½Ãµå´Ï ½º¹Ì½º(Sydney Smith)
  • ij³ª´Ù ³ë¹Ù½ºÄÚ»þ ÁÖ¿¡¼­ ž ¾î¸° ½ÃÀýºÎÅÍ ±×¸²À» ±×·È´Ù. ³ë¹Ù½ºÄÚ»þ¹Ì¼úµðÀÚÀδëÇÐ(NSCAD) Á¹¾÷ ÈÄ ¾î¸°ÀÌ Ã¥¿¡ ±×¸²À» ±×¸®±â ½ÃÀÛÇß°í, ¸±¸®¾ð ¼ÎÆÛµå ±â³ä»óÀ» ºñ·ÔÇÏ¿© ¿©·¯ »óÀ» ¹Þ¾Ò´Ù. ÇöÀç´Â Åä·ÐÅä¿¡ ÀÖ´Â Áý°ú ¿ÂŸ¸®¿À ÁÖ¿¡ ÀÖ´Â ¹Ì¼ú°üÀ» ¿À°¡¸ç ´Ù¾çÇÑ ¹Ì¼ú ÀÛ¾÷À» Çϰí ÀÖ´Ù.

     

    ¡°My current studio is a converted garage in my backyard. It is fairly spacious and all mine. For the first time, I can play loud music if I want to ... I have three tables set up. One with stacks of paper, drawings, and drafts; one with art books, picture books, and my computer; and the third has paint, water and all my supplies. It¡¯s a real mess, but I love it.

    We lost a dear friend and editor at Groundwood Books, Sheila Barry. She was a mentor to many of us authors and illustrators. Before she passed away, I was able to show her this book in its early stage. Afterward, finishing this story allowed me to process my loss. In many ways, I am the character in this book.¡±

     

     

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